Prolific composer and musician Roger Mason joins The Film Scorer Podcast! They talk broadly about Roger’s media compositions and approach, as well as: the differences between Australian and American productions; figuring out how to play what’s in your head; and […]
Film and video game composer Nima Fakhrara (Detroit: Become Human; Becky) joins the show to talk about, among other things: diversity in film music, the necessity of being genuine in everything you create, and a few of his latest projects. I […]
It came as quite a surprise when John Murphy was announced as the composer for The Suicide Squad. After all, he hadn’t scored a feature film since 2010’s Kick-Ass. But maybe an unexpected choice would be at home in the […]
Film composer and singer-songwriter Steph Copeland joins the show to talk about, among other things: her recent scores for Vicious Fun, The Retreat, and The Oak Room, as well as her trend of scoring for horror and balancing her dual identities of a […]
Ludwig Göransson’s score for Tenet proved to be the most divisive of 2020. Some hailed its creativity and ingenuity, calling it among the best of the year; others labeled it generic action music and a pastiche of Hans Zimmer, Tenet […]