October’s release schedule has created the mirage that things are somewhat back to normal – almost eighty new scores released that month! That many new scores means a lot of good music. Unfortunately, there are far, far too many scores […]
Movies set in space are most often associated with synth (dating back to The Forbidden Planet) or classical/orchestral music (from 2001: A Space Odyssey to the Star Wars films and more). They reflect the future and technological advancement, the vastness […]
Happy to have indie-composer Ben Symons join me to talk about his dread-filled score for the UK horror film Hosts, his approaches to film music, composing for major YouTube streamers, and much more! Find out more about Ben on his […]
I caught up with composer Harry Escott to discuss his newest score: Roadkill. This is a new BBC One political drama starring the inimitable Hugh Laurie. You can find the whole interview: on Spotify, Apple Podcasts, YouTube, or right here […]
Welcome to September! As the film industry gradually opens up we’ve seen an uptick in film scores releases (including a few major ones!) and hopefully the trend continues! This month sees a broad array of great scores, from the experimental […]
While 2020 has interfered with many film composers’ work, it hasn’t slowed down Holly Amber Church. The prolific composer recently had a few films release, with several more on the horizon. We sat down to talk about a few of […]
When Alexandre Desplat’s score for The Sisters Brothers released back in 2018, I thought it was excellent. But it took me another two years to watch the film. When I finally heard the score in context it was barely recognizable, […]
I recently had the pleasure of chatting with composer duo Two Twenty Two (comprised of Tom Nettleship and Daisy Coole). Together they’ve composed around thirty short and feature films over the last several years, ranging from hard dramas to sci-fi […]
The partnership between the Coen brothers and Carter Burwell has had fantastic results over the last several decades, including Burwell’s underrated score for True Grit. In True Grit, fourteen-year-old Mattie Ross hires drunken and trigger-happy U.S. Marshal Rooster Cogburn to […]
An extended wait for the next entry of a series can raise anticipation, but also skepticism. I fell into the latter category upon hearing that, after nearly thirty years, a new Bill and Ted film was coming. But composer Mark […]
Welcome to the second volume of “Short and Sweet,” my new semi-regular series on short films and their music. This volume sees another wide range of films and composers, from Vin Diesel’s breakout short film ‘Multi Facial’ (for which he […]
The Addams Family are known for being creepy, kooky, and altogether ooky. Fortunately, while composer Marc Shaiman embraces the Family’s iconic traits, his score shows just enough restraint to prevent the film from being too over the top. It would […]