Best Film Scores of September 2019
Folk music has long been a genre I’ve wanted to see employed more in film music, and Zviad Mgebry and Ben Wheeler’s score for And Then We Danced makes this wish come true. The duo draws heavily on (what I […]
Carrie – Pino Donaggio (1976)
It may not be surprising that listeners, when hearing a horror score, expect the music to be “scary.” But it’s not a necessity. Pino Donaggio, in his score for Carrie, focuses on the film’s sweet, tender moments rather than the […]
Eraserhead – David Lynch and Alan Splet (1977)
The world is full of noise. On David Lynch and Alan Splet’s score for Eraserhead, that noise is the industrial chaos of a blue-collar nightmare. The score begins with howling winds and a slow, low rumbling like the maw of […]
Best Film Scores of August 2019
This month Hans Zimmer released something I’ve never really seen – a B-side to Dark Phoenix. Xperiments from Dark Phoenix is a compilation of select cuts from the over sixteen hours of material Zimmer and his team (a dozen other […]
The Grandmother – Tractor (1970)
The films of David Lynch have always been renowned for their bizarre, surreal nature. However, this attention typically overlooks the music of his films, which are as equally strange. Take, for example, Tractor’s score for Lynch’s early short film The […]
Wind River – Nick Cave and Warren Ellis (2017)
Nick Cave and Warren Ellis have solidified their niche as composers of the desolate and decayed. Although they’ve occasionally veered off into the post-apocalyptic, their scores most commonly find themselves in hopeless neo-westerns. The duo’s score for Taylor Sheridan’s directorial […]
Under the Skin – Mica Levi (2013)
What does it mean to be human? Is it to be loved, to face conflict, to make choices and feel their consequences? In Mica Levi’s score for Under the Skin humanity is anxiety, fear, and isolation. Those fleeting positive moments […]
Best Film Scores of July 2019
Atmospheric Anxiety Bobby Krlic brings his dark ambient talents to work in Midsommar. Krlic alternates between slow, meditative interludes and discordant eruptions, setting loose a madness upon the listener while simultaneously following the main character’s tumult of grief. Rob’s score […]
The Dead Don’t Die – Sqürl (2019)
The world is slowly dying, but the dead aren’t. Sqürl’s (the musical duo of director Jim Jarmusch and Carter Logan) score for Jarmusch’s The Dead Don’t Die provides the perfect foil: meandering, darkened drone against the film’s silly meta-comedy backdrop. […]
Midsommar – Bobby Krlic (2019)
There can be catharsis in even the deepest grief. Such is the case in Bobby Krlic’s score for Midsommar, in which he manages to salvage warmth and respite from a slow decay into madness and sorrow. People have immediately compared […]
Interview with Hans Hess
Hans Hess is a relatively new film composer, born in Brazil and currently living in England. His latest score, Clownface, just released and has already notched wins at the London Independent Film Awards, the Los Angeles Film Awards, and the […]
Best Film Scores of June 2019
A Chorus of Jazz Scores Lead the Month For The Last Black Man in San Francisco, Emile Mosseri has composed one of the best scores of the year. It is a heartfelt and longing grandiose composition driven by the softer […]