Recently anointed Grammy winner Carla Patullo joins The Film Scorer podcast! While Carla has over thirty scores under her belt, she might be most known for her non-score album So She Howls, for which Carla won the Grammy for Best […]
In a Film Scorer first, a composer-director team joins the show! Composer Suvi-Eeva Äikäs & director Ben Steiner recently worked together on Ben’s film Matriarch (which Ben directed and which Suvi scored). As such, we primarily talk about Suvi’s score for Matriarch […]
Fresh off of scoring Evil Does Not Exist, composer Eiko Ishibashi joins The Film Scorer podcast! Evil Does Not Exist is Eiko’s second collaboration with acclaimed director Ryusuke Hamaguchi, and the film itself actually stemmed from Eiko approaching Ryusuke regarding providing […]
Author’s Note: I received this record as a promotional copy from Microids Records for the purpose of review. The opinions and thoughts shared are completely my own, with no expectations from the distributor. I also want to acknowledge the recent […]
To celebrate his first full-length tv series score, Gareth Coker joins The Film Scorer podcast! You video game fans in particular may know Gareth from his work scoring games like Ori, Ark, and Halo Infinite, but Gareth hasn’t stopped there. […]
I’ve been watching a lot of action movies lately, mostly ones released in 2023 and 2024, and one thing I’ve noticed (not surprisingly) is the scores. Specifically, I’m noticing the scores of more recent releases. It seems like the sonic […]
Five-time Grammy winner Mike Post joins The Film Scorer podcast! A lot of you will probably be familiar with Mike already, who boasts one of the most impressive tv resumes of all time. For those of you that aren’t, Mike’s […]
Last year’s Winnie-the-Pooh: Blood and Honey drew a pretty divisive reception, but my favorite part, Andrew Scott Bell’s score, rose above all the noise and discord. With Winnie-the-Pooh: Blood and Honey 2 about to release, Andrew joins me on The […]
Tough-talking dirty cops, back-channel deals, bursts of bloody violence, and a wonky Mediterranean interpolation of Eric Satie’s “Gnossienne No. 1,” played on what might be a bouzouki. Nope, that combination doesn’t sound any less strange written out. It’s as impressive […]
The Oscars are tonight (March 10), marking the end of awards season. At this point, the winner of the best original score seems certain, but nothing ever is. At the very least, we can celebrate that score (Ludwig Göransson’s Oppenheimer), […]
Another year, another list of the ten “best” film scores, this time I’m running through 2023. These scores aren’t presented in any particular order – I intended to go alphabetically, but instead ended up going by vibes instead, wherever the […]
Composer Tom Schraeder joins me for my first-ever in-person interview. Tom and I broke the ice by chatting for about an hour in my kitchen before heading downstairs and hitting record, and I think the comfort really shows up here. […]