The Film Scorer

The Film Scorer

Film music podcasts, reviews, interviews, and analysis

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Marilyn Monroe/Norma Jeane sits lonely on a staircase
2020s Reviews

Blonde – Nick Cave and Warren Ellis – Score Review

July 3, 2023July 3, 20231 Comment

Sometimes a great score’s attachment to a commercial bomb means the score itself will quickly disappear into the void. Blonde presents a slight variant. Instead of box office poison, the film’s graphic portrayals of violence and abuse drew widespread repulsion. […]

Mark Jenkin in a yellow rain coat sits against a stone wall
Interviews

An Interview with Mark Jenkin

June 18, 2023June 23, 2023

In one of the last interviews of Season 3, composer and director Mark Jenkin joins The Film Scorer podcast! Mark recently released his experimental folk horror film Enys Men (Cornish for Stone Island) earlier this year, as well as his […]

Best Of...

The Best Film Scores of December 2022

June 16, 2023January 10, 2025

December sees the end of 2022, and one of the biggest, most anticipated scores of the year – Avatar: The Way of Water, with longtime James Horner collaborator Simon Franglen stepping in to take over. Does Franglen succeed? Read on […]

70's Style Alternative Poster for Dragged Across Concrete
Musical Nasties

Musical Nasties: Underappreciated or Obscure Soundtracks for Summer (Part 1)

June 11, 2023June 11, 2023

After an extended hiatus, I’m back! And what better time to return than when the weather’s getting warmer, days are getting longer, and adult refreshments are flowing freer. If you’re anything like me—which, if you’re spending time on a website […]

Interviews

An Interview with Daniel Pemberton

June 4, 2023August 17, 20259 Comments

Fresh off the back of scoring the smash hit Spider-Man: Across the Spider-Verse, composer Daniel Pemberton (Enola Holmes 1 & 2, Steve Jobs) joins The Film Scorer Podcast! Not surprisingly, Daniel and I spend the majority of our interview talking […]

Headshot of Chad Cannon
Interviews

An Interview with Chad Cannon

May 28, 2023May 28, 20232 Comments

As season 3 of The Film Scorer podcast slowly comes to a close (only a few episodes left), Chad Cannon joins the show! Chad and I primarily talk about his latest score, which is for the documentary miniseries Algiers, America, […]

Headshot of Nitin Sawhney, Credit Suki Dhanda
Interviews

An Interview with Nitin Sawhney

May 21, 2023May 28, 2023

After a brief hiatus, The Film Scorer podcast returns with guest Nitin Sawhney! Nitin and I originally planned just on discussing his latest score, which is for the film What’s Love Got to Do with It? but coincidentally timed the […]

Best Of...

The Best Film Scores of November 2022

May 5, 2023May 31, 20261 Comment

As with October, November saw the release of one widely award-nominated score (John Williams’ score for The Fabelmans), some of my favorite scores of the year (Nathan Johnson’s score for Glass Onion: A Knives Out Mystery and Reznor and Ross’s […]

Brian Tyler Headshot
Interviews

An Interview with Brian Tyler

April 23, 2023April 24, 20232 Comments

Brian Tyler joins The Film Scorer Podcast, finishing up our unofficial “month of Tylers”! Brian is fresh off the back of scoring the global smash hit The Super Mario Bros. Movie, and we spend the bulk of our conversation discussing […]

Best Of...

The Best Film Scores of 2022

April 18, 2023May 31, 20262 Comments

Another year, another best-of list! Though, as you might be well aware by now, I don’t pretend to actually know what the “best” scores of 2022 were. Instead, this list is really of my favorite scores from last year, presented […]

Reviews

An Interview with Tyler Bates

April 9, 2023April 10, 20233 Comments

Fresh off of scoring the critical and box office hit action film John Wick 4, Tyler Bates joins The Film Scorer Podcast! Unsurprisingly, Tyler and I spend a decent amount of time talking about his work on John Wick; not […]

2020s Reviews

Infinity Pool – Tim Hecker (2023) – Score Review

April 1, 2023November 11, 20231 Comment

One of the more exciting aspects of film music, to me, is when non-traditional musicians try their hand at scoring. By this I mean musicians with careers that predate and are independent of their forays into scoring. It brings a […]

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