Paul Rudd’s son had the same reaction to the announcement of Ant-Man as many of us unfamiliar with Marvel’s less popular characters: “I can’t wait to see how stupid that’ll be.” On paper, the sentiment isn’t wrong. Ant-Man controls an […]
A common complaint about film and TV scores is their use of tone over melody (a complaint perhaps most famously made by Jason Segel’s composer character in Forgetting Sarah Marshall). Mark Korven completely ignored this complaint for his score of […]
Most westerns contain many grandiose shots of great untamed landscapes – wide rivers, soaring mountains, sprawling valleys. These shots tend to be sweeping and slow-to-develop, allowing for an equally grandiose score to fill the void. This relationship puts the focus […]