In a Film Scorer first, a repeat guest joins the show! Daniel Pemberton (the Spider-Verse films, King Arthur) comes onto the show for a second time, after chatting with me back in 2023 about his score for Spider-Man: Across The Spider-Verse. […]
Another year, another list of the ten “best” film scores, this time I’m running through 2023. These scores aren’t presented in any particular order – I intended to go alphabetically, but instead ended up going by vibes instead, wherever the […]
Most sequels to hit movies walk into the same traps while trying to outdo their predecessors: they stumble over the slew of new characters, settings, and problems that they introduce to turn a self-contained ending into the start of a […]
The BAFTAs air on February 18th, and mark the second-to-last stop in awards seasons (with the Oscars seemingly still a ways away). The nominees are almost entirely made up of ones we’ve seen fill every other list all season, save […]
Fresh off the back of scoring the smash hit Spider-Man: Across the Spider-Verse, composer Daniel Pemberton (Enola Holmes 1 & 2, Steve Jobs) joins The Film Scorer Podcast! Not surprisingly, Daniel and I spend the majority of our interview talking […]
April was a tough write-up for me, solely because there were simply so many good scores to look at (as you’ll see when you scroll to the bottom of this article). From orchestral works like Hans Zimmer’s The Survivor or […]
December takes us to the end of the year, bringing not just the last of the awards season hopefuls but also a number of my favorite scores of 2021, like La Panthere des Neiges and The Novice. As a result, […]
The 2022 awards season draws to a close with the EE BAFTAs, the second-to-last major ceremony of the year, airing later tonight. This year’s best original score nominees are largely familiar faces at this point in the season, with Hans […]
Welcome to September! As the film industry gradually opens up we’ve seen an uptick in film scores releases (including a few major ones!) and hopefully the trend continues! This month sees a broad array of great scores, from the experimental […]
Motherless Brooklyn was largely dismissed upon its release, leading to an unfortunate fate for one of 2019’s best scores. A 1950s film noir, Motherless Brooklyn hits many of the classic genre tropes that have developed over the decades, the best […]
I’ve decided to start visiting years past, from before I actively listened to film music, and come up with retrospective best-of lists. Not only is it a good way to revisit missed classics and get a feel for the year […]
Daniel Pemberton (Interview 1, 2) kicks off another month of excellent scores with Birds of Prey. The work is brimming with a sense of controlled chaos, matching the high-energy, frantic nature of its main character, Harley Quinn. Pemberton also injects a wide […]