I’d start this review off with a pithy quip about the evils of wall-to-wall scoring, but there are plenty of examples that I really like, including recent ones such as Oppenheimer and Across the Spider-Verse (one could say that this […]
Fresh off of scoring Evil Does Not Exist, composer Eiko Ishibashi joins The Film Scorer podcast! Evil Does Not Exist is Eiko’s second collaboration with acclaimed director Ryusuke Hamaguchi, and the film itself actually stemmed from Eiko approaching Ryusuke regarding providing […]
Japanese film Drive My Car became a surprise critical hit, not just garnering seemingly out-of-nowhere acclaim but even notching four Academy Award nominations, including a win for Best International Feature Film. Oddly absent from most of this attention was Eiko […]