The final frontier. Today we have a tendency to take the miracle of space flight for granted: a 60-year history, hundreds of launches a year, and thousands of manmade objects in orbit have made it almost routine. But, decades ago, […]
Film music can be incomprehensible when detached from the underlying film. Snippets of ascending strings building tensions, rhythmic unaccompanied drums, or ominous rumbling synths build atmosphere for the images on screen. But they have trouble standing on their own. They […]
Cyberpunk gives composers great musical flexibility. Not only is “futuristic” sounding music appropriate, but so is contemporary and classical music. After all, cyberpunk is often a dark imagining of our current trajectory. Rory McFarlane, in his score for the UK […]
Western European Music Invades On The Hustle, Anne Dudley opts for a vibrant and energetic French and Mediterranean style. While the score is built largely off of variations on a handful of themes and motifs, the short runtime keeps this […]
Nicholas Britell’s score for If Beale Street Could Talk conjures up a parallel world, where memories, hopes, and fears meld together, floating like some great overwhelming cloud. Much of the film lives in the memories of its main character, Tish. […]
Independent film is one of the great breeding grounds for new film composers. Consider Hans Zimmer, for example, who started his career scoring direct-to-video films before eventually securing eleven Academy Award nominations. While these films don’t offer the same monetary […]
Krzysztof Komeda is considered the forefather of European jazz. And yet, his most famous and enduring work is the haunting and discomforting score for Roman Polanski’s horror classic Rosemary’s Baby. The opening credits introduce Komeda’s single most well-known song – […]
Although ‘Avengers: Endgame’ may have captured the April box office, it’s the smaller independent movie scene that provides the month’s best scores. Two Composers with Two Scores Each Brian McOmber shows impressive variety with his scores for Hail Satan? and […]
Michigan’s Upper Peninsula is a lonely, desolate landscape, one of the few places left in America that feels undisturbed by humanity’s touch. And yet, in Anatomy of a Murder it feels lively. Duke Ellington’s stylish score is the cause, making […]
Over the past decade Marvel has released 22 movies to create the “Infinity Saga” – the most ambitious overarching film story experiment. While it is impossible to analyze every score in a single article, ranking and briefly discussing the scores […]
Paul Rudd’s son had the same reaction to the announcement of Ant-Man as many of us unfamiliar with Marvel’s less popular characters: “I can’t wait to see how stupid that’ll be.” On paper, the sentiment isn’t wrong. Ant-Man controls an […]
Karel Zeman’s 1961 surrealist masterpiece The Fabulous Baron Munchausen is one of the more bizarre entries in film, with its fanciful story, kaleidoscopic colors, and animation/live action mix. The logical musical accompaniment would be something as equally odd and avantgarde. […]