We’re finally in 2022! While 2021 was a very good year for film music, with dozens of excellent scores to listen to, how will the new year fare? Coincidentally, the main scores released in January that I cover belong to […]
Film composer and director Nicole Russin-McFarland joins The Film Scorer Podcast! But, Nicole didn’t come alone; joining her is voice actor Christopher Andrew Norris, a frequent collaborator of Nicole’s. We discuss their working relationship and process, spanning several dozen radio […]
Clint Mansell has firmly established himself as one of the best film composers working today, so he doesn’t need to use gimmicks to draw interest to his music. But it’s easy to assume that by sampling the sounds of plants […]
Pleased to have composer CJ Mirra join The Film Scorer Podcast! We primarily talk about CJ’s feature scoring debut, the UK family drama/horror film A Banquet. Much of CJ’s score oscillates between eerie, dreadful atmospheres and textures and gentler yet […]
It’s always exciting when an accomplished, prolific musician makes their first foray into film music. What will it sound like? Will their sound transition? Will it work? With X, experimental/folk/doom/etc. musician Chelsea Wolfe co-scores her first film (with Tyler Bates). […]
December takes us to the end of the year, bringing not just the last of the awards season hopefuls but also a number of my favorite scores of 2021, like La Panthere des Neiges and The Novice. As a result, […]
It’s always a tall task reimagining any movie, let alone one as iconic as 1965’s The Ipcress File. With a great Michael Caine performance, as British agent Harry Palmer, and one of the best John Barry scores, these are tough […]
The upcoming Academy Awards mark the end of the year’s award season. But before we dig into the nominations, let’s address the elephant in the room. The Academy, under threats from ABC, has demoted eight awards categories, including best original […]
At the end of January I “attended” Sundance to watch God’s Country, a drama/thriller starring Thandiwe Newton. Today DeAndre Allen-Toole, the film’s composer, joins the show! We chat about the film, including the challenges of making his feature scoring debut, palette […]
Right from the opening cue of “Arrival,” Jonny Greenwood informs you that his score for the Pablo Larraín helmed Spencer is not what you imagined. There’s an uneasiness to that opening cue, something that says: “this will most definitely be […]
The 2022 awards season draws to a close with the EE BAFTAs, the second-to-last major ceremony of the year, airing later tonight. This year’s best original score nominees are largely familiar faces at this point in the season, with Hans […]
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