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Fresh off of scoring the critical and box office hit action film John Wick 4, Tyler Bates joins The Film Scorer Podcast! Unsurprisingly, Tyler and I spend a decent amount of time talking about his work on John Wick; not […]
One of the more exciting aspects of film music, to me, is when non-traditional musicians try their hand at scoring. By this I mean musicians with careers that predate and are independent of their forays into scoring. It brings a […]
Anne-Kathrin Dern is the latest guest on The Film Scorer Podcast! You might be most familiar with Anne’s lush, thematically-rich traditional orchestral scoring on a number of family and animation films, but she’s started to slowly move into more hybrid […]
As far as I can tell, the upcoming Academy Awards have avoided last year’s widely reviled gaffe of putting certain “technical” awards in a secondary class. It’s hard to call this progress, as we’re just returning to the status quo, […]
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Tim Hecker, one of the leading voices in experimental electronic music (sometimes referred to as “ambient”) joins The Film Scorer Podcast! Tim and I primarily talk about his score to the new film Infinity Pool, a psychedelic, nasty ride with […]
Three-time Oscar nominated composer Carter Burwell joins The Film Scorer Podcast! We primarily talk about his latest score, which also happened to land him his third Oscar nomination (as well as another BAFTA nom, among others), The Banshees of Inisherin! […]
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October saw the release of two Oscar and BAFTA nominated scores, The Banshees of Inisherin and All Quiet on the Western Front, with fairy tale melancholy and the blaring fear of war, respectively, as well as a number of other […]
I recently chatted with experimental composer Maya Shenfeld about her first major foray into film scoring: the Oscar shortlisted documentary The Flagmakers. Fresh off of her critically acclaimed debut album, In Free Fall (which experiments through electroacoustic arrangements), Maya’s score […]