Anne-Kathrin Dern is the latest guest on The Film Scorer Podcast! You might be most familiar with Anne’s lush, thematically-rich traditional orchestral scoring on a number of family and animation films, but she’s started to slowly move into more hybrid and pure electronic/textural film and game scoring as well. As such, we talk about this transition and how mixing up scoring styles makes her grow as a composer well maintaining her excitement in the field. This transition recently culminated with her latest score, The Devil Conspiracy, a far more electronic, textural horror score that also features heavy use of organ and choir. It’s an unusual score for Anne, but also admittedly the most fun she’s had scoring in a long time! We then move into discussing some heavier topics, including the recent article from The Guardian regarding MeToo in the composing world, the lack of opportunity for female composers, and the necessity for having open conversations about these types of issues.

You can find out more about Anne on her website. The Devil Conspiracy is now available on demand and Anne’s score, as well as many of her other works, is available digitally on all major platforms.

Have a listen to our conversation below or wherever you get your podcasts (including Spotify and Apple Podcasts).

About The Devil Conspiracy

“A powerful biotech company has breakthrough technology allowing them to clone history’s most influential people with just a few fragments of DNA. Behind this company is a cabal of Satanists that steals the shroud of Christ, putting them in possession of Jesus’ DNA. The clone will serve as the ultimate offering to the devil. The Archangel Michael comes to earth and will stop at nothing to end the devil’s conspiracy.” – from The Devil Conspiracy official website